Golden Age of Illustration

Artists by Movement:
The Golden Age of Illustration

1880’s to 1920’s— reference Art cyclopedia The Fine Art Search Engine

The Golden Age of Illustration was a period of unprecedented excellence in book and magazine illustration. It developed from advances in technology permitting accurate and inexpensive reproduction of art, combined with a voracious public demand for new graphic art.

In Europe, Golden Age artists were influenced by the Pre-Raphaelites and by such design-oriented movements as the Arts and Crafts Movement, Art Nouveau, and Les Nabis. Leading artists included Walter Crane, Edmund Dulac, Aubrey Beardsley, Arthur Rackham and Kay Nielsen.

American illustration of this period was anchored by the Brandywine Valley tradition, begun by Howard Pyle and carried on by his students, who included N.C. Wyeth, Maxfield Parrish, Frank Schoonover and Edwin Austin Abbey.

Illustration techniques

— from Wikipedia, the free encyclopedia

Digolo and Mazrui subcategorize illustration into the techniques, which are being applied, such as: drawing, painting, printing, and pasting.[6] These techniques affect the art in various ways, being chosen for the different impact the chosen medium produces. The choice can be based on the requirements of the illustration, constraints of the artist, cost, or other factors.

Various illustration techniques have been available to the artist over the centuries. The invention of paper pushed its boundaries even further. Traditional illustration focuses on reproducible ways of creating illustration and can be classified into different types:Isolde, Illustration from

Pen-and-ink illustration has been around in various forms. The Chinese Sumi-E can be attributed to this technique, incorporating the use of paints and dyes. Navigational maps have been produced using this technique in the 14-15th century.[7] The technique has not fallen out of disuse and is still popular with artists and illustrators, due to its simplicity of use, drying time, and visual impact. Modern artists use a brush, pen or quill to achieve the desired effects, samples see references.[8]

— for educational purposes only

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